Tag: fashion

  • Eco Art Chic

    Photography           Eros Goze

    Post Processing       Tom Bolivar

    Hair & Make-Up     Ginno Alducente

    Model                        Fara Manalo

    Waste not, want not.

    Join the wave of the new age green movement by finding style in ordinary everyday bits and pieces, recycled materials and found hardware that celebrate diversity in expression, textures and artistic interpretation. Challenge the establishment with out-of-the box thinking and intelligently crafted pieces, which toe the line between eco art and fashion that’s stylishly sustainable.

    Egg and Paper Ingénue

    Turn of the century, white dress made out of recycled kitchen towels and a bodice embellished with eggshell mosaic in graduating sizes – by Shelfred Surdilla

     

    Plastic Venus versus Mars

    Two-piece PVC sheet dress with futuristic detailing, with 3-D swirls and cut PVC pipes embellishment. High-heels made of plaster cement, metal heels and cut PVC pipes – by Ushi Sato

    Illustrado Barlequin

    Out of this world ballerina with a harlequin feel – Illustrado Magazine tear sheets stitched like a puzzle with PVC sheets; bustier top matched with 3-D volume skirt – by Jessie Sindayen

    Bridal White Trash

    Three-piece ensemble made of a sculpted bolero, bubble wrap corset, and skirt, all appliquéd with embroidered foil and plastic grocery bags, and further embellished with beads made out of foil and softdrink can lids – by Dan De Lima

    Chambermaid in Lino

    Halter dress made of folded, woven shredded vinyl linoleum, embellished with ruffles and lace cut outs made out of plastic lace table cloth and doilies, studded with inverted crystal clips and held together by cable straps, with no sewing – by Ramil Garrote Noveda

    Victorian Bag Lady

    Victorian ball gown made of plastic garbage bags, held in by safety pins, accessorized with necklace made out of laundry clips matched with a steel wool bib, steel wool arm “warmers” and braided garbage bag headpiece – by Eros Goze

    Designers Guide

    *In alphabetical order

    Dan Delima – LA DIVA MODA HAUTE COUTURE – Abu Dhabi UAE – Tel: (971) 2

    Eros Goze – FARFALLA COUTURE – Dubai, UAE – Tel: (971) 4 283 1010

    634 8494

    Ramil Garrote Noveda – AMATO HAUTE COUTURE – Dubai UAE – Tel: (971) 4 398 8586

    Ushi Sato – WARDA HAUTE COUTURE – Dubai, UAE – Tel: (971) 4 349 5200

    Jess Sindayen – EZRA FASHION DESIGN – Dubai, UAE– Tel: (971) 4 395 5385

    Shelfred Surdilla – SCALINI HAUTE COUTURE – Dubai, UAE – Tel: (971) 4 348 6151

  • Fashion: Festive Filipiniana

    Festive Filipiniana

    Photography: Filbert Kung (Blackfox Photography)

    Styling: Mike de Guzman & George Palmiano (MGP)

    Makeup: Lilian Yeung

    Hair: Mycke Arcano

    Models: Peter Nordel and Grendel Alvarado (PMAP)

    Not to be outshone by the brilliant season’s lights are these dazzlingly definitive Filipino pieces from the country’s designers with a penchant for our rich and unique sartorial heritage.

    Fashion: Festive Filipiniana

    On Grendel: Piña fiber post-modern Barong top with geometric patterns by Louis Claparols; black leggings by Terranova; black banana fiber sunvisor, used as necklace, by Dita Sandico-Ong; multi-braided chain choker with ribbed agate stone by Estrellas Manila by Marge Abas; black corset belt by The Ramp, Crossings; round-framed sunglasses by SM Department Store. On Peter: Striped gray Barong Tagalog by Barge Ramos; striped floral pin by Dita Sandico-Ong; black wool trousers by Mundo by The Ramp, Crossings.

    Fashion: Festive Filipiniana

    On Grendel: Banana fibre dress with tinalak weave, black banana fibre sun visor, used as headdress by Dita Sandico-Ong; black and pink floral abaca headdress, triple-strand tubular gold necklace, gold faux snakeskin bangle with stones by Firma; vintage gold chain necklace jade drop pendant by Estrellas Manila by Marge Abas; multi-linked statement gold neckpiece, antique gold ornamental bangle, gold fully-beaded arm cuff, gold tribal arm cuffs all by Estien Quijano; opaque leggings with geometric pattern by Louis Claparols. On Peter: Black Barong Tagalog with white embroidery by Barge Ramos; sheer sebiÑa fibre shrug by Estien Quijano; black feather brooch by Firma; black dropped crotch pants by Terranova Man; transparent futuristic eyewear by Firma; black leather shoes by Wade

    Fashion: Festive Filipiniana

    LEFT – On Grendel: Black satin wide-legged jumpsuit by Frederick Peralta; banana fibre chequered halter top, gray banana fibre sun visor, used as headpiecevand black obi belt all by Dita Sandico-Ong; black faux fur shrug by The Ramp, Crossings; silver chandelier earrings by Firma; beaded statement necklace by Nicole Whisenhunt at Firma; shoes by Janylin. On Peter: Gray sebina fibre pleated top with Mandarin collar by Estien Quijano; black layered body chain accentuated by a gun metal skeletal chain mail by Estrellas Manila by Marge Abas; charcoal gray slim pants by Mundo by The Ramp, Crossings; black leather belt and gray faux croc shoes by Wade

    RIGHT – On Grendel: Silver gray banana fibre wrap, gray flower pin, black leggings all by Dita Sandico-Ong; gray sebina fibre tassled one-shoulder dress by Estien Quijano; gray cage shoes by Janylin. On Peter: Cream sebina fibre sheer shirt, ruched sebina fibre sheer cropped pants and white trunks all by Estien Quijano; white raised-collar long-sleeved top by Mundo by the Ramp, Crossings; white hip shoes by Wade

    Fashion: Festive Filipiniana

    On Grendel: Piña fibre ruffled opera coat and black satin wide-legged jumpsuit by Frederick Peralta; silver chandelier earrings by Firma; gray banana fibre sun visor, used as headpiece, banana fibre chequered halter top, and black obi belt all by Dita Sandico-Ong; beaded statement necklace by Nicole Whisenhunt at Firma; shoes by Janylin. On Peter: Gray sebina fibre pleated top with Mandarin collar by Estien Quijano; transparent futuristic eyewear by Firma; blacklayered body chain accentuated by a gun metal skeletal chain mail by Estrellas Manila by Marge Abas; black leather belt by Wade; charcoal gray slim pants by Mundo by the Ramp, Crossings; gray faux croc shoes by Wade.

    Fashion: Festive Filipiniana

    On Grendel: Piña fibre post-modern Barong asymmetric top and opaque leggings with geometric patterns by Louis Claparols; mariposa wrap with bamboo print and gray banana fibre sun visor used as headpiece all by Dita Sandico-Ong; beaded statement necklace by Nicole Whisenhunt; white shoe-boots by Janylin. On Peter: Gray sebina fibre pleated top with triangular collar by Dave Estien Quijano; black flat-front pants by Mundo by The Ramp, Crossings; silver necklace by IORA; white braided belt by The Ramp, Crossings; white flat sneakers by Wade.


    Fashion: Festive Filipiniana

    SHOPPING GUIDE:

    Barge Ramos – +63 917 848 1950

    Estien Quijano – +63 917 324 1010

    Dita Sandico-Ong – +63 920 245 0475

    Estrellas Manila by Marge Abas – +63 916 573 1583

    Firma – Greenbelt 3

    Frederick Peralta – +63 917 845 5117

    IORA – SM Mall of Asia

    Janylin – Glorietta 5

    Louis Claparols – +63 927 739 5925

    Mental – SM Megamall

    Mundo by The Ramp Crossings – Trinoma

    Nicole Whisenhunt – Firma, Greenbelt 3

    SM Department Store

    ________________________________________________________________________________

    More articles on Illustrado’s Fashion and Beauty page @Illustrado life. 

  • Michael Cinco: Of Million Peso Dresses and the Impalpable Dream

    Michael Cinco: Of Million Peso Dresses and the Impalpable Dream

    By Lalaine Chu-Benitez  –  Photo by Eros Goze

    If there’s anybody who should be credited for bringing in much-deserved attention to UAE-based Filipino designers within the unforgiving and sharply-taloned fashion industry in the Philippines, it is Michael Cinco. The celebrated designer has undoubtedly ignited megawatt interest with the voracious media, style and celeb circle in the country.

    But is there something beyond the drama on Philippine Fashion Week runway, the covers in Manila glossies, TV and red carpet couture moments with the Manila stars du jour?

    A closer look reveals that there is more to La Cinco than the hype and the million peso dress.

    It’s been three years since we’ve last sat with the designer for an exclusive interview – at a time when he was just dreaming about staging his own fashion show.  Fast forward to January 2011 and Michael Cinco has already made his mark not only in the emirates, where he is a respected designer, but also elsewhere.

    So far, he has already staged two amazing shows in the last two years’ Dubai Fashion Week, where he received rave reviews and the People’s Choice Award in 2010. He has also presented his elegant pieces, not to mention a never before seen line of ultra-glamorous swimwear at the Miami Fashion Week in 2009.

    This year, he’s making his American TV debut in a big reality show which airs in March. Of this, he says, “It is truly an honor to be handpicked to do the clothes and appear alongside famous names in fashion in one of the world’s most watched reality TV programs. It just so happens that I am effortlessly ‘in’…” he adds cheekily.

    All this while running a top tier couture house in Dubai with an illustrious clientele, which has now come to include, not only the elite and royals of the region, but also celebrities and socialites from the US, Europe and the Philippines.  Just recently, Michael created a fabulous wedding dress for New York socialite Samantha Sarcinella who married Nascar superstar Kyle Busch in Chicago. The couple who is doing reality series “Riding Shotgun” for ESPN and Style Network in the US, also made the designer a part of the show.

    Michael says, “In retrospect, I would certainly like to think that I have achieved what I set to do in the last three years, and more. Life’s good. I may sound clichéd, but hard work is the key. And it just paid off naturally. And as I make it a point to compete only with myself professionally, I am not burdened with highlights or lowlights in my career. I consider them all blessings.”

    And what about back home where he had two critically acclaimed shows at the Philippine Fashion Week and conquered the industry’s interest by storm?  Fashion watchers would wonder why there is a need to go back to the Philippines when the designer is already wildly successful here and is beginning to spread his wings into the international market.

    “It was with a raised eyebrow that I had to continually contend with the stereotypical impression on Filipino designers in the Middle East, every time I would go home,” Michael shares. “The misconceptions were hurtful if not degrading – especially when we are tagged as ‘OFW designer.’ “ Somehow, something’s got to give,” he furthers.  But in hindsight now, what I did was really no herculean task, inasmuch as I love my country and would gladly initiate motivating further my compatriots and help in the upliftment of the fashion industry. If we can shine in the international fashion arena then we might as well dazzle the Philippines,” he concluded thoughtfully.

     

    Through the years, and through highlight upon highlight, Michael’s work remains consistent and true to form.  While his contemporaries’ works are known for their pomp and pageantry, and broad strokes on design, his works have a definitive look of precision and luxurious glamour punctuated by sleekness and modernity that can only be described as, well – Michael Cinco.

    Although he defies boundaries, the designer’s signature sense of style is undeniable. He remarks, “It’s a tragedy to be bound by parameters or be limited to sets of values, more so for a fashion designer. And in that context, I only seek out for what appeals to my sense of aesthetics. Needless to say, my works speak for themselves, impalpably.”

    As for his creations, he is very specific, and makes no apologies for the kind of women his dresses are made for, “You will know a Michael Cinco stands out effortlessly for its seamless quality and precise attention to details. The Michael Cinco woman is tastefully done. She is a woman in her own terms.  She is moneyed and she knows exactly what she wants. She may not be born into royalty but she better be married into it. This attitude makes a Michael Cinco piece stand-out.”

    With all that he has achieved in the last couple of years, the designer considers 2011 as a significant year in his flourishing career. He shares, “I am looking forward to 2011 as my banner year of the moment. I’m doing fabulous gowns and wedding dresses for clients here and abroad. I’m currently collaborating with a big fashion brand in the Philippines that will be launched in October – in the same league of Lanvin and H&M.”

    He continues, “A major solo show in Manila is also in the pipeline but all details are still confidential. An offer from a big bridal boutique in Europe and the US to supply couture wedding dresses is also part of my major plans for 2011.”  The designer concludes, “Finally, maybe couture accessories for this year will be launched also. I love spontaneity and its surprises, but if you insist, 2011 is my banner year like I care to know what that means, hahaha!” Michael bursts into infectious laughter.

    He’s already got the artistic recognition, commercial success and the high-profile future projects, not to mention validation from his peers, yet the designer is not one to rest on his laurels. Michael says that he is still in pursuit of his impalpable dreams.

    He explains, “It’s like gazing at the rainbow as a child and wanting so much to touch it you want to go to where it ended in the horizon, and yet you know you can’t. But as you grow older, you realize that there’s more to the rainbow than just touching it. And then again, there are other dreams to pursue…”


  • FURNE ONE: A One-on-One with ‘THE’ ONE

    By Lalaine Chu-Benitez, Photo By Eros Goze

    We have fondly given him the title “The ONE and only” – and quite rightly so. Virtually everybody that matters in the regional haute couture industry knows what makes this Dubai-based Filipino artist a stand-out in the world of elite style. However, unbeknownst to many, there is so much more that makes him unique, and that truly establishes “The One” (pronounced ‘oh-nay’) as somebody even larger, than “merely” a true fashion maverick well-ahead of the pack.

    If there is anything that truly defines Furne One’s creations it is the word ‘grandiose.’  When you say Furne Amato, it has to be something huge.  Nothing is ever small; everything is maximal, dramatic, and larger than life.  We have seen his head turning creations on the catwalk and in the pages of reputable glossies around the region. We know of his “shock and awe” attitude to color that is uniquely his, the strong style statements he creates, as well as his “take it all the way” bravado when it comes to design elements which are truly distinctive – whether it is in his irreverent mixing of crystals, patterns and embellishments, or his exaggerated hips or any other latest style fixation of his.  A tough act to follow, but the one thing that perhaps matches Furne’s grandiosity in aesthetics is how he attacks work and the design process itself.

    Unlike others in the same creative field who look at the small things like elements, colors, or the details and inspirations du jour, Furne thinks and creates in 4D, High Definition, full fashion production drama. “I love films and I am fascinated by big productions especially movies of a gothic nature, or those that revolve around fairytales, vampires and wolves,” the artist shares enthusiastically, his eyes shining. “I think about all the details of the fashion process, from the tinniest embellishments of the clothes, to the fashion show, complete with the music, lighting, ambience, choreography, as well as the models’ styling, make up – the works.”  No wonder, Furne’s fashion shows are touted as some of the best and most-awaited in the country.

    A fashion designer whose penchant for the unexpected is well known, Furne professes, “When it comes to fashion, of course, I don’t like to be just like everybody else. Having my own identity is very important to me.”  He continues, “I design for my own pleasure and it is important for me to get the whole look right.  So more than just the dress, I also like to play with the styling.  Trying stuff and changing them around, until I achieve just the right and complete look.”

    And the process just doesn’t stop there. Seeing the artists creations on the ramp, is one thing, but having a front row peek at how he operates is quite another. Witnessing Furne One in action, one gets a grip of his true gravitas when it comes to his art and discipline. He is never big enough to get his hands dirty, and yet by showing what a consummate professional he is, one who is thoroughly concerned about his craft, who will move just about everything necessary to make sure that he gets what he needs and the richness it deserves, One is head and shoulder above the rest, not only by virtue of creativity, but also with his strong work ethics.

    For this month’s Illustrado fashion editorial, the designer, handpicked, set-planned and personally oversaw the casting, styling and phasing of what can only be described as an over-the-top shoot-cum-fashion show which featured 25 lavish haute couture gowns and six models captured in fading daylight.  It was elaborate, fussy and huge, but fabulously worth all the trouble – just like any Furne One concoction.  Alas, nothing is ever small when it comes to ‘The One and only.’

    “I work with my entire team.  I am open to suggestions and like to hear comments from my assistants.  I do not stop until I get it just right.  And of course, in the end, I follow my vision and what I think works best,” the designer remarks.

    From an entrepreneurial angle, this Cebu-born design visionary seems to have been blessed with a business acumen that is quite a rarity in the creative field.  While most designers are merely purveyors of style, One also displays the astuteness and savvy of a seasoned businessman – one who knows the difference between merely creating fashion, to one who is building a veritable couture business, which has attracted serious investment proposals, and one that is to be reckoned with in the future, not only in the Gulf.  Since the emergence of his fashion house in the last five years, Furne has built his brand, Amato, into a strong and reputed haute couture name patronized by an elite roster of clients, including royals.  Furne, together with his team of professional consultants, has also managed other aspects of his business including publicity, promotions, and launches of his new collections, with the measured shrewdness of someone who understands exactly how to market his brand.  His outward orientation towards the global runway and forays into style hubs like Los Angeles, Miami, and Germany via Germany’s Next Top Model by Heidi Klum, has bode him well and has added another level of prestige to his conquests on the ramps of Dubai, a feat still unequalled by his peers.

    In September, Furne is stormed London Fashion Week, to rave reviews, with “Love and War” an Elizabethan inspired collection featuring startling combinations of materials, textures and embellishments, presented to the sound of galloping horses in a dramatic production that is distinctly One’s.  The same collection has been showcased in Furne’s homecoming gala show in the Philippines under the auspices of the international charity organization at the Red Cross Ball, held at the Shangri-La Hotel in Makati with Philippine high society in glittering attendance.

    Still, with his undisputed success and his providential combination of creativity, hard work and innate business savvy, Furne, looks at his oeuvre with a distinct sense of pragmatism and gratitude. “I’ve been very lucky,” he says as a matter of fact. “There are a lot of good Filipino designers, a lot of hardworking ones too. But you also need luck to be successful.  And I have been very fortunate.”